Jonathan Meades is one of those people I have a lot of time for, even though I routinely disagree with him. Like Adam Curtis (whose blog appears in my blogroll, although I rarely actually visit it: the posts are so densely audiovisual it can take, literally, hours to work through each one), he’s a polemicist. Like Curtis, he’s not so much a polemicist for a particular viewpoint as he is a polemicist for the necessity of thinking for oneself. Like Curtis, he’s interested in unorthodox juxtapositions (especially of apparently serious and trivial things), and in approaching weighty topics from unusual angles. Like Curtis, he’s interested in drawing connections between things that aren’t usually seen as connected (although he’s not called a conspiracy theorist as often as Curtis is). Like Curtis, he’s routinely mislabelled as a documentary-maker, when he’s actually an essayist – less interested in documenting the world than in exploring ideas.
Like Curtis, his programmes are meticulously well-researched (if Curtis gives the impression of having watched every second of TV ever broadcast, Meades gives the impression of having devoured every book, meal and public building to be found in Europe). Like Curtis, his programmes carry an air of formidable intellectualism (even though the ideas he discusses are usually pretty accessible, even simple). Because of this, like Curtis, he is sometimes misunderstood as trying to produce an authoritative account of the things he discusses, when he’s actually just trying to provoke a reaction. Not, usually, in the way that some newspaper columnists and bloggers try to provoke a visceral reaction, but in the way that a really great teacher tries to provoke an intellectual reaction: to cause people to think about a topic for themselves, and to disrupt the automatic acceptance of received wisdom. Like Curtis, in other words, he’s an anti-hegemonist, and therefore a very necessary thing.
Unlike Adam Curtis, though, Jonathan Meades is frequently laugh-out-loud funny. As a case in point, the first programme in his new series* Jonathan Meades on France (available on the iPlayer for the next week-and-a-bit; the second episode, which I haven’t seen yet, is available here) opens with the theme music from the Croft/Perry sitcom ‘Allo, ‘Allo – about as far-removed from the serious attitude of a typical BBC4 series as one could expect. There’s also a lot of what has become Meades’ trademark visual style (though I suspect it was developed by his directors rather then him personally): the dark-glasses worn even on cloudy days; the pieces to camera delivered standing stock still in the middle distance rather than close up or walking; the flat, deadpan style of delivery. All of this is designed, as always, to try and create an interesting visual counterpart to what is, essentially, a fairly un-televisual experience; for someone who works in TV, Meades’ style has always been determinedly verbal, even literary.
This wordiness perhaps explains why, in the process of preparing this sort-of review (not a real review; it’s too scattershot for that), I found myself transcribing whole sections of what Meade said, rather than relying, as I usually would, on paraphrases from memory. I have the impression that his words are chosen so carefully that to paraphrase them would be to miss the point. This is Meades, for example, on the subject of a once significant but now somewhat ignored monument in the Alsace region of France:

Why the benefits cap is unfair
On the face of it, the idea of limiting the maximum amount any family can receive from benefits to £26,000 per year seems eminently fair; this is, after all, the median household income after tax. Iain Duncan Smith, the Secretary of State for Work and Pensions (who, with an estimated private wealth of ‘only’ £1million, is one of the poorest members of the cabinet) has seemingly been everywhere, making the clear and simple argument that it’s unfair that people who are in work should be paying tax to subsidise a higher standard of living for unemployed people than they can afford for themselves. Unfortunately – as with so many clear and simple arguments presented by politicians – the reality turns out to be rather more complicated. So complicated, in fact, that what seems like an eminently fair policy turns up, on further examination, not to be fair at all. Here are some of the reasons why.
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